http://www.cinemasia.ru CinemAsia.Ru - Кинематограф Азии - Книги http://www.cinemasia.ru/docs/sections/6/_79/_4/794.html «Бездомные псы и одинокие волки» (Stray Dogs & Lone Wolves) – книга, написанная Патриком Гэлловеем и напечатанная в прошлом мае, возможно, будет издана на русском языке. Книга полностью посвящена самураям в кинематографе. Она охватывает многих знаменитых японских режиссеров и актеров, а также содержит более 50-ти эксклюзивных обзоров японских фильмов, начиная с такой классики как Samurai Trilogy, Yojimbo и заканчивая недавно выпущенными хитами наподобие Zatoichi Такеши Китано. Mon, 08 Aug 2005 23:58:00 +0400 http://www.cinemasia.ru/docs/sections/6/_79/_0/790.html With Tetsuo: The Iron Man, Tetsuo II: Body Hammer, Tokyo Fist and Bullet Ballet, Shinya Tsukamoto has become one of the most widely praised filmmakers in Japan today. Edgy, intense and overwhelming, Tsukamoto's films are nightmarish visions of a world in which man's greatest enemy is his own environment of cold concrete and twisted technology. Tue, 02 Aug 2005 15:51:00 +0400 http://www.cinemasia.ru/docs/sections/6/_59/_0/590.html Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true «world cinema». Mon, 15 Nov 2004 16:26:00 +0300 http://www.cinemasia.ru/docs/sections/6/_58/_7/587.html Schilling has compiled profiles of and interviews with directors and actors, along with 100 reviews of yakuza movies, to present what the publisher calls the first book in English devoted entirely to this genre. Schilling charts yakuza's development, explains the origin of Japanese gangs, the various styles and qualities of the films, and the ways in which fans-in Japan and elsewhere-have responded to these movies. Fri, 12 Nov 2004 17:25:00 +0300 http://www.cinemasia.ru/docs/sections/6/_58/_6/586.html «Agitator: The Cinema of Takashi Miike» examines each of these titles in-depth, revealing a provocative but remarkably consistent body of work. Illustrated with hundreds of stills, behind-the-scenes pictures and rare photographs from the director's private collection, this is the first ever study devoted entirely to the work of one of the world's most exciting filmmakers. Fri, 12 Nov 2004 16:57:00 +0300 http://www.cinemasia.ru/docs/sections/6/_58/_5/585.html «Korean Cinema: The New Hong Kong» is a guidebook for exploring this new and exciting treasure trove of cinema. It is the first book of its kind, covering this emerging cinematic powerhouse in an easy-to-read and leisure-focused fashion, bringing all the sought-after information on Korean cinema into one convenient package. Fri, 12 Nov 2004 00:14:00 +0300 http://www.cinemasia.ru/docs/sections/6/_58/_4/584.html Moving from Hong Kong to China, Taiwan, Japan, Korea, the Philippines, Southeast Asia, and India, author Lee Server explores the most thrilling popular films of these regions. No genre is left untouched. While Server is clearly well rounded in cinematic history, he focuses on the action, horror, fantasy, erotic, gangster, and animated films that have emerged most recently. Fri, 12 Nov 2004 00:07:00 +0300 http://www.cinemasia.ru/docs/sections/6/_30/_3/303.html Авторы энциклопедии постарались в определенном смысле восстановить справедливость и открыть по мере возможности ряд мало известных, по сравнению с Европой и США, или вовсе неизвестных в нашей стране имен постановщиков, внесших весомый вклад в развитие киноискусства. Fri, 16 Apr 2004 18:57:00 +0400 http://www.cinemasia.ru/docs/sections/6/_25/_2/252.html Первая в России история кинематографии Тайваня, насчитывающая почти сто лет и представляющая собой иной вариант китайского киноискусства, который создается в условиях капиталистических рыночных отношений. Tue, 16 Mar 2004 13:13:00 +0300